The Boston Musical Intelligencer

Extract from the Review

...On Sunday afternoon, the young American virtuoso Reed Tetzloff wowed  the Maverick audience, filling the rustic splendor with playing the like  of which we have not heard since the days of Horowitz and André Watts.  Opening with Ravel’s charming Menuet Antique, he made it clear  from the git-go that we were in the hands of a master. A glorious set of  rarely heard, and simply wonderful six Impromptus of Gabriel  Fauré followed. Tetzloff dished up the highly ornamented lines, the  quick changes of tempo with fleet, limber delicacy and unassuming  virtuosity. It was a surprise and a delight. In Philip Lasser’s Sonata, “Les Hiboux Blancs”  (The White Owls), Tezloff brought out the many quiet moments and  demonstrated the usefulness of crossing hands. Tetzloff took Robert  Schumann’s Op. 9 massive Carnaval at a slightly faster tempo  than we have heard, but made it sound inevitable. With perfect voicing  and entirely convincing changes of tempo and volume, he brilliantly  conceived and delineated each familiar character....

by Mary Fairchild